An invisible line, known as the 180 DEGREE LINE or AXIS OF ACTION, runs through the space of the scene. The camera can shoot from any position within one side of that line, but it may never cross it. This convention ensures that the shot will have consistent spatial relations and screen directions.
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Georges Seurat developed this technique in 1886
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Finally, that playing seriously with clay can be used in an investigative ... This view of agency is succinctly summarised by Barandiaran et al. ... irrespective of the nature of the agent, action is divided into cause and effect. ... The work of sculpting proceeds with a “feeling of and for clay”
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D) Public
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