Are talking about on a piano?
The correct answer to this open question is the following.
The emergence of female artists in eighteen-century Europe was a consequence of the Enlightenment times in this region when science, political thinking, and arts opened new ways to openly express human ideas never before heard.
The prevailing social and cultural trends that affected these artists and their work favored the support for painters like the above-mentioned, who had the best opportunities to share their work than in previous Middle Ages times. Although at that time the role of women was not so prominent and was always behind the shadow of men, some artists could have the social connections to exhibit their paintings.
I would like to refer to the case of Angela Kauffman, a Swiss painter (1741-1807). She was considered a Neoclassic painter that could successfully exhibit her works in places such as Italy and Great Britain. She specialized in landscape and decorative figures.
1)Value The lightness or darkness of tones or colors. White is the lightest value; black is the darkest.
2)Value<span> is defined as the relative lightness or darkness of a color. It is an important tool for the designer/</span>artist<span>, in the way that it defines form and creates spatial illusions.
3)</span> Contrast<span> is a principle of </span>art. When defining it,art<span> experts refer to the arrangement of opposite elements (light vs. dark colors, rough vs. smooth textures, large vs. small shapes, etc.) in a piece so as to create visual interest, excitement, and drama.
4)</span><span>A complementary color are a set of two colors that are straight across the color wheel from each other. Examples of complements are </span>red<span> and </span>green<span>, </span>blue<span> and </span>orange<span>, and </span>yellow<span> and </span>violet<span>. Neutral colors are created by combining even amounts of complements to create </span><span>muddy earthy tones
5)</span>Chiaroscuro<span>. This is an Italian term which literally means 'light-dark'.</span>
Answer:
<u>He brings a similar site-specificity to portraits done in other parts of the world. For instance, in West Africa, he was inspired by the African patterns found in the marketplaces, and sampled body positions from West African sculpture. Likewise, in Israel, he created his backgrounds based on Israeli paper cut outs.</u>
The big yellow thing and the man