There is this stroy called "What if it's us" by Becky Albertalli and Adam Silvera. It teaches us about how two people thay come together can make a huge difference. It is a love story so it is a bit different than The Lion and the mouse, but it does have that theme.
Metaphysical poetry in the seventeenth century broke away from conventions of lyrical poetry. The difference is apparent in the choice of cacophonous imagery...
Johnson put five poets in this category: John Donne, Andrew Marvel, George Herbert, Richard Crashaw, and Henry Vaughan. However, they never worked as an organized literary movement. They didn't even read each other. It is only today that we can consider them akin.
As for cacophonous imagery, it was one of their foremost characteristics. The word choices and similes would often be shocking and unusual, not just for their own time but even later. For example, comparing two lovers' souls with two compasses in Donne's A Valediction Forbidding Mourning.
In poetry, a syllabic meter is characterized by A. having a fixed number of syllables per line.
So, if we're talking about a pentameter, which is a type of a syllabic meter, it always has to have 10 syllables in each line. An unchanging number of syllables in line is important when it comes to a syllabic meter because it contributes to the rhythm of the poem, whereas stress and pronunciation are not as important here.
Explanation:
a . New workers will be hired by the company after the pandemic.
( b. ...... I think its already in passive voice )
c. The potholes were repaired by the workers last week.
Answer:
<h3>husband would turn into a beast like a werewolf because of the cursed bloodline in the family</h3>
Explanation:
The assumption about the change in the characters which I had made was that the <u>husband would turn into a beast like a werewolf because of the cursed bloodline in the family.</u>
Since no exact detail was given at the beginning of the story about what the husband would look like once changed, I <u>assumed that he would change into a pale beast with large body. </u>
The assumption was inferred upon through these lines "He was white all over then, like a worm’s skin. And he turned his face. It was changing while I looked, it got flatter and flatter, the mouth flat and wide, and the teeth grinning flat and dull, and the nose just a knob of flesh with nostril holes, and the ears gone, and the eyes gone blue — blue, with white rims around the blue — staring at me out of that flat, soft, white face."
