World War I, the war that was originally expected to be “over by Christmas,” dragged on for four years with a grim brutality brought on by the dawn of trench warfare and advanced weapons, including chemical weapons. The horrors of that conflict altered the world for decades – and writers reflected that shifted outlook in their work. As Virginia Woolf would later write, “Then suddenly, like a chasm in a smooth road, the war came.”
Early works were romantic sonnets of war and death.
Among the first to document the “chasm” of the war were soldiers themselves. At first, idealism persisted as leaders glorified young soldiers marching off for the good of the country.
English poet Rupert Brooke, after enlisting in Britain’s Royal Navy, wrote a series of patriotic sonnets, including “The Soldier,” which read:
If I should die, think only this of me:
That there’s some corner of a foreign field
That is for ever England.
Brooke, after being deployed in the Allied invasion of Gallipoli, would die of blood poisoning in 1915.
Explanation:
Get an answer for 'How does the narrator's attitude change towards the raven as "The The Raven makes the speaker remember his lost Lenore, whom he had hoped to Man doth not yield him to theangels, nor unto death utterly, save only.
Answer:
D
Explanation:
Anne first sees Peter as obnoxious, lazy, and hypersensitive, but later they become close friends. Peter is quiet, timid, honest, and sweet to Anne, but he does not share her strong convictions. During their time in the annex, Anne and Peter develop a romantic attraction, which Mr. Frank discourages. Peter is Anne’s first kiss, and he is her one confidant and source of affection and attention in the annex.
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The similarity about a stage and a film interpretation of the above scene is VIEWERS WOULD HAVE TO INFER THE EMOTIONS AND MOTIVATIONS OF BEN AND REGINA.
They do not need to envision the physical description of Ben and Regina nor do they have to imagine the props being used as well as the movements being done because they can actually see the actors and the setting. They need to look beyond the physical appearances of the characters and determine the emotions of the characters by listening to the inflections of their voices as they speak as well as try to look to telling actions that is in direct contrast to the staged scenario.
