When we read books, the stories in them transport us from the world we are in to the world within the pages of the book. To be transported by a book requires the reader to have an emotional response to the book, to visualise the story and eventually, become immersed in it. As a reader, I consider myself lucky to have read several books that have made me lose awareness of my existing surroundings and drawn me into the story unravelling in the book.
“There’s always room for a story that can transport people to another place.” – J.K. Rowling
When I think of being transported by a book, a recent incident comes to my mind. On a winter morning, I had boarded a train to Furkating, a small town in Assam. It was a bleak morning and the sun was a pale yellow, melting into a silver sky. In a compartment colder than December, I sat tucked in my winter clothes amidst rows of filled seats. As the train started with a jolt, I brought out a book from my overstuffed handbag and started reading the first chapter.
Soon, I was deeply engrossed in the story and before I knew it half an hour had passed… The train was starting to slow down as we had reached a station; on a cemented slab in yellow, the letters read ‘Panbari’. Some of the seats in front of me that were previously filled now lay empty. Two of the solo passengers who sat ahead of me had struck up a conversation about the weather in Dimapur – probably the place they were heading to. The winter sun was now splattered across the sky and shining over thatched-roof villages that we were fast leaving behind as the train gained momentum.
Mary Balogh describes it perfectly, “Have you ever wanted to travel back in time? I know I have. And I think that’s why historical romance is so appealing. That experience of being so immersed in the story that it feels like you’re really there: strolling along in a moonlit rose garden with a duke, or taking tea in a lady’s finely appointed drawing room. And if you’re the adventurous type (like me), perhaps you find yourself riding on a cable car in San Francisco, or exploring the canals of Venice in a gondola. Whatever the tale, these new experiences are just waiting to be discovered; beckoning you, enticing you, entreating you to pause, to sit down and to spend time between the pages of a good book.”
By - Prarthana Banikya
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Using the provided literature, a solid conclusion you can draw from “Baby Boomlet” is that in order to prevent so many vehicle accidents involving new drivers is we need to try a new approach to teaching or possibly lengthen drivers Ed/behind the wheel courses.
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Answer: If people wanted to move into a polis, they would need a citizenship. There were two types of democracy, direct democracy and representative democracy. Direct democracy is when citizens take part in the every day affairs of the government.
Answer:
Many words and phrases were first written down in his plays. He contributed 1,700 words to the English language because he was the first author to write them down
While describing Kenny, the narrator uses a mysterious tone. The narrator most likely uses this tone to create traits of Kenny. The description of Kenny makes you think of him as tough, or mysterious. Its used to create your impression of him. The narrator uses physical description rather than personality descriptions, to create a “Unknown” vibe to him. “…with a pale skin…” most likely reference that he’s supernatural. Although people can have pale skin, pale skin is often used in stories to create an unnatural being; zombies, monster, etc. “He was tall, gaunt…” creates a tough tone. All of this is important because it adds on to the central idea of the passage. Tone is important because it helps develops the vibe and the theme of the story. From observation, this is most likely an excerpt from a mysterious passage. You can use the tone, word choice, and message to more understand the passage.
