Well Rembrandt built up colors and textures in his paintings through the use of layering (also sometimes used multi-layers) and also some of the paintings were thick, he used a strategy called "IMPASTO"
Oo-Oo, dam diggity-dog
Let them buns stay mad 'cause we livin' it up
Oo-Oo, Shelltops is on
And I'm popping like, I'm popping like, I'm popping some corn
And now, I don't wanna take you
If we fall down, don't get upset
And now is just the beginning
And we'll figure it out somehow
Right now, masquerade
Master the merry-go-round
Right now, masquerade
Master the merry-go-round
Right now
It's something you create
It's never ever too late
It's never ever too late
Right now
Okay to make a mistake
Yeah, baby, this is your day
It's time to masquerade.....
Answer:
Claude Monet
Explanation:
it started in the 1860s when Monet and some artists painted stuff and their paintings featured the absence of idealism. yeah I know the explanation is umph but its definitely Claude Monet. Pierre Renoir and Edgar Degas where two popular impressionist painters and also started the movement but Claude Monet is pretty much the forefront for it.
Answer:
This piece is called Study of a Women's Back, by Henri Matisse. The artist relied mostly on line to create this piece.
Explanation:
i hope this helps
Answer:
If you stretch it out you are making it wider or larger making the image I. the photograph more skinny (if it is taller) or fatter (if wider.)
