<span> a verbal </span>suffix meaning<span> “to make,” “cause to be,” “render” ( simplify; beautify); “to become,” “be made” ( liquefy). The </span>suffix<span> was introduced into English in loan words from Old French ( deify), but is also used in the formation of new words, usually on a Latin root ( reify).</span>
Answer:
No.
Explanation:
Dashes are used to replace a parentheses or a colon. They can also be used to censor words and are often used to tell a range between numbers like 19-21.
In this case, you’re trying to use a dash to denote a connection which a dash can be used for but only when you’re connecting two words that are already have hyphens or are being used as a modifier.
Answer: directly after the reason and as support for the rebuttal
Explanation: You need to back up your reasons with the evidence to support your claim, and you need to back up your rebuttal as well with evidence.
Answer:
The author makes sudden actions of Bella that would create surprise and also be at suspense for the reader at the same time. The way people call Bella in a letter surprises her because it makes her special to someone. “I bend to retrieve it, surprised to see “My Bella” scrawled ornately across the front.” The author foreshadows to create a flashback of what happened earlier in the short story.
When the author states in the story “I look past him, but Abuela gasps and exclaims, “Alejandro, after all these years!” the author creates surprise and a feeling of the story's climax. When the author uses foreshadowing he makes the main character show emotion and express herself throughout the short story. Small actions like when Bella recognized who is writing to, make her think or foreshadow the past and then she gets surprised as she notices who is likely writing to her.
Explanation:
Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Every thing that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.
The woods decay, the woods decay and fall,
The vapours weep their burthen to the ground,
Man comes and tills the field and lies beneath,
And after many a summer dies the swan.
Me only cruel immortality
Consumes: I wither slowly in thine arms,
Here at the quiet limit of the world,
A white-hair’d shadow roaming like a dream
The ever-silent spaces of the East,
Far-folded mists, and gleaming halls of morn …
