<span>Jean-François Millet's The Gleaners blends Socialism with Realism. Millet </span>was prompted by social injustice to paint it. <span>The Gleaners painting depicts three peasant women gleaning a field of stray grains of wheat after the harvest. This </span>capture both the poverty and dignity of rural French life. <span>He was considered a socialist revolutionary.</span>
When a newspaper is <u>CENSORED</u>, it means that material that may be objectionable to certain people has been removed.
Censorship is the act of removing what may be considered objectionable to people. Censorship may be applied to written text, posters, advertisements, or any public medium.
A Burial at Ornans
<em>Gustave Courbet</em>
This painting depicts the burial of Courbet’s great uncle in the small French town of Ornans, and it is considered to be one of the turning points in French art. The painting depicted the scene with an unflattering air, and it did not romanticize the depictions of grief and mourning, as in traditional Romantic paintings. Critics of the piece decried both the style of the painting as well as the size. At 10 feet tall by 22 feet wide, the size of the canvas was typically reserved for religious or heroic scenes, and the painting critics said was intentionally ugly and harsh. For the subjects in the painting, Courbet also used the real people who had actually been at the burial, rather than actors used as models for the art. As it had such a deleterious effect on the Romantic style of painting, it could also be easily called “The Burial of Romanticism,” as Courbet himself said: “The Burial at Ornans was in reality the burial of Romanticism.”
This 22 foot long canvas situated in a main room at the Musee d'Orsay buries the viewer as if he or she were in a cave. In a decidedly non-classical composition, figures mill about in the darkness, unfocused on ceremony. As a prime example of Realism, the painting sticks to the facts of a real burial and avoids amplified spiritual connotations. Emphasizing the temporal nature of life, Courbet intentionally did not let the light in the painting express the eternal. While sunset could have expressed the great transition of the soul from the temporal to the eternal, Courbet covered the evening sky with clouds so the passage of day into night is just a simple echo of the coffin passing from light into the dark of the ground. Some critics saw the adherence to the strict facts of death as slighting religion and criticized it as a shabbily composed structure with worn-faced working folk raised up to life-size in a gigantic work as if they had some kind of noble importance. Other critics such as Proudhon loved the inference of equality and virtue of all people and recognized how such a painting could help turn the course of Western art and politics.
I think the Answer: A. french
Van Halen, Aerosmith, ac/dc, Journey, Guns N' Roses, and Queen are among the bands that make up the arena rock subgenre of rock music.
Arena rock is a term used to describe a type of rock music that is performed or intended to be performed in big venues such as convention centers, arenas, stadiums, and open-air performance venues.
About Arena rock:
- In this fashion, genres generally associated with event center rock are loud and anthemic (though not always); event center rock is most commonly linked with heavy metal, progressive rock, hard rock, glam metal, or pop-rock genres.
- Event center rock is frequently, but not always, classified as mass-market, commercially appealing, and radio-oriented music.
- Event center rock is also referred to as corporate rock because of its frequent commercial orientation.
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