Answer:
In Zhou's <em>Autumn Colors</em>, atmospheric perspective is demonstrated by decreasingly dark strokes the further background elements are from the point of view. Zhou provides more line details and darkness in the foreground strokes, such as in the trees and vegetation, indicating closer proximity to the viewer. On the other hand, Kensett's work involves more realism and involves color. It has a more clearly defined vanishing point than Zhou, and atmospheric perspective is demonstrated by the decrease in saturation, detail, and contrast of the distant mountain range. Objects in the foreground are more saturated, have more detail (such as blades of grass), and are finely depicted as reflecting the light source. Zhou relies on stroke detail and intensity, while Kensett relies on color tones and a defined vanishing point to convey atmospheric perspective.
In Escher's drawing, it is not clear whether the water is flowing away form the viewer or towards the viewer. In many ways, it seems to contradict the laws of physics. Moreover, the corner points of the cube above the structure are connected in such a way that it is not clear which points are the farthest and which are the closest to the viewer. In these ways, the artist plays with our perception of depth.
Explanation:
Impressionism has no definite lines, bright colors, and a calm mood. Modernism is very random and sharp, with complex colors and themes. Those are all the styles I know
Answer: true
Explanation:
In the painting... Tells the tale of the present conflicts between old aristocrats and new military elites.
They wanted to implore more nuaced principles and more flexible policies which became more appropriate for desperate times.
