Means a "clap, tapping one's hand on one's arm, a musical measure". It is the term used in Indian classical music to refer to musical meter, that is any rhythmic beat or strike that measures musical time.
This is romanian
Delineate and specify the subordinate type: he would have been good to stray to the right or to the left and to hide in the forest that mastered the Pretudindei. But the child desteptaseed and it seemed to my mother that only the roar of the park was covering his screams quite well. Thank you very much
Full Question
Consider the food chain below:
Sun -----> Green Plants -----> Insects -----> Frogs -----> Snakes.
For the frog, please circle any of the below alphabetized words in this box that correctly describe this organism.
Note: You will have more than one word circled.
Autotroph Heterotroph
Primary Consumer
Producer Secondary Consumer
Answer:
The circled words are
1. Heterotroph
2. Secondary Consumers
Explanation:
Autotrophs and Heterotrophs
Autotrophs are organisms that are able to prepare their own food own their own by utilizing energy from non-living sources such as the sun and carbon dioxide. They are often called the producers
Heterotroph, on the other hand cannot prepare their own food and depend on other organisms for their food. They are often called the consumers.
Based on this, we can conclude that the frog is heterotrophic because it can't prepare foods on its own; It obtains part of the energy stored by the insects by eating the insect.
Primary and Secondary consumers.
Primary consumers are organisms that feed directly on the primary producers.
In this food chain, the primary producer is the plant; the insect feed on them; hence, the insects are the primary consumers.
The secondary consumers on the other hand feed on the primary consumers; here, the insects are eaten by frogs. So, the frogs are the secondary consumers in this food chain.
Answer: The fights between gladiators in ancient Rome were brutal. It was not like a football game (American or otherwise) where it would be assumed that both sides would go home with just a couple of bruises. Death was a fairly common occurrence at a gladiatorial game, but that doesn't mean it was inevitable. One gladiator might be lying prone in the blood-absorbing sand of the arena, with the other gladiator holding a sword (or whichever weapon he was assigned) at his throat. Instead of simply plunging in the weapon and consigning his opponent to death, the winning gladiator would look for a signal to tell him what to do. The winning gladiator would get his signal—not from the crowd as illustrated in the famous 19th century painting by Jean-Léon Gérôme (1824–1904)—but rather from the referee of the game, the editor (or editor muneris), who might also be a senator, emperor or another politico. He was the one to make the final decisions about the fates of the gladiators in the arena. However, since the games were meant to curry public favor, the editor had to pay attention to the wishes of the audience. Much of the audience attended such brutal events for the single purpose of witnessing the bravery of a gladiator in the face of death.By the way, gladiators never said "Morituri te salutant" ("Those who are about to die salute you"). That was said once to Emperor Claudius (10 BC–54 CE) on the occasion of a staged naval battle, not gladiatorial combat.
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<em><u>Ways to End a Fight Between Gladiators</u></em></h2>
Gladiatorial contests were dangerous and potentially fatal, but not as often fatal as Hollywood would have us believe: Gladiators were rented from their training school (ludus) and a good gladiator was expensive to replace, so most battles did not end in death. There were only two ways that a gladiatorial battle could be ended—either one gladiator won or it was a draw—but it was the editor who had the final say on whether the loser died on the field or went on to fight another day.
The editor had three established ways to make his decision.
He might have established rules (lex) in advance of the game. If the fight's sponsors wanted a fight to the death, they had to be willing to compensate the lanista (trainer) who had rented out the dead gladiator.
He could accept the surrender of one of the gladiators. After having lost or cast aside his weapons, the losing gladiator would fall to his knees and raise his index finger (ad digitatum).
He could listen to the audience. When a gladiator went down, cries of Habet, Hoc habet! (He's had it!), and shouts of Mitte! (Let him go!) or Lugula! (Kill him!) could be heard.
A game that ended in death was known as a sine remissione (without dismissal).
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