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In relief printing, the artist draws a design on a smooth block of material—usually wood or linoleum—and uses tools to carefully cut away the areas that are not to be printed, leaving behind a raised surface of lines and shapes.
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In his dramatic use of light and shadow
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I'm fine with my living style not happy not unhappy,
I got many things I need, not all but everything which is essential for living.
I cannot wear the type of dress it like, or like anything I want to do is not correct here according to people and society.
The answer is mannerism. El Greco endeavored to express religious feeling with overstated characteristics. After the practical delineation of the human shape and the dominance of point of view accomplished in high Renaissance Classicism, a few specialists began to purposely twist extents in disconnected, silly space for enthusiastic and masterful impact. El Greco still is a profoundly unique craftsman. El Greco has been portrayed by current researchers as a craftsman so person that he has a place with no ordinary school. Enter parts of Mannerism in El Greco incorporate the shaking "corrosive" palette, lengthened and tormented life structures, unreasonable point of view and light, and dark and upsetting iconography.
