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Answer:
Oratorio - a sacred, large-scale dramatic work without staging or costumes
Motet - a borrowed chant with new melodies and text arranged above it
Suite - a series of dance pieces
Toccata - a creative keyboard form that showed off the performer's finger technique
Explanation:
Oratorio is a narrative-drama musical form performed by various solo voices, followed by a choir and orchestra. Oratories usually have a religious theme and message.
Motet is is an important form of secular or ecclesiastical polyphonic music from the 13th to the 18th centuries. It refers to different musical chants with new melodies and text arranged above it.
The suite is a collection of short musical and dance pieces that can be played one after another.
Tocata is is a composition intended for an instrument with drones in which is expressed the virtuosity of the performer. It appeared in Italy at the beginning of the 16 century.
The mona lisa was a pice of artwork by lionardo davinchi. the mona lisa is one of the most valuable pice of artwork in the world.it is worth nearly $800 million today
it is the most written about ,sung about,and most visited artwork.
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4. Identification, description, and the interpretation of the content of images.
Explanation:
<u>Iconography is literally translated to “image writing”, and as such, it studies interpretation of the content that is presented on the image or painting. </u><u>It can describe what is on the image</u> – the number of figures and items, placing, description, gestures – <u>but it also classifies the elements and symbols that show up.</u> It also explains various symbols and decodes them, and is, therefore, an important part of the semiotics.
Over the course of art history, part of iconography started focusing more on Christian art, its symbolism, and artistic expressions.
Mannerism (from “maniera” in Italian) was a style in
European art that emerged in the later years of Renaissance at the 16th century
in Italy. Mannerism was the reaction to the harmonious ideas of Renaissance and
artist such as Leonardo da Vinci, Raphael and Michelangelo, which is why the
subjects in Mannerism were presented with exaggerated ideal qualities, often
resulting in compositions that are asymmetrical or unnaturally elegant.
