C. early use of bright colors and illuminated manuscripts.
I think that stage I'd called "interpretation" where you give your opinion on the work
B. While exploring the house on a rainy day.
The option B is true, as Durer's graphic output was so influential in both woodcut and engraving, that his prints became popular models for succeeding generations of painters.
<h3>Who was Albrecht Durer?</h3>
Albrecht Dürer was the greatest painter, mostly called as the greatest German Renaissance artist. He was no mean painter himself, producing a varied and articulate array of self-portraits.
Albrecht Dürer's remarkable woodcuts were created by printing blocks, typically carved from a fruit wood, onto a sheet of paper.
Hence, the option B woodcut is true as it was his famous art.
Learn more about Albrecht Durer here,
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Answer:
For example, you could move all of the notes of the leitmotif up three semitones, or up four notes in that scale, or by a pitch interval of two. The point is that every note is changed in the same way, so the relationship between them is the same. The basic melody is still there, but it sounds different.
Explanation:
