Answer:
Aerial perspective.
Explanation:
Aerial perspective is a painting technique where, especially through the use of color, an impression of depth can be brought into the painting. It is based on outdoor observations, which are used by painters to achieve the desired effect.
A painter can apply the aerial perspective in a painting in which a landscape is also depicted, whereby the background is depicted faintly with a gray-blue color in the dark areas. The human brain processes these images in such a way that an illusion of depth is created. If we observe slightly more distant areas through a dark tube, the blue coloring is much more noticeable, because it is automatically compensated for in the brain.
When : When are you going to be home from the party?
What: What do you think would happen if I went to this party ?
Who: Who do you think is going to be at the party?
Why: Why do you think these people are going to be at the party?
Liturgical ? that sounds right lol good luck :)
Generally,the vitrage,or stained glass technique was used to convey an idea of other worldliness. When a person would enter the cathedral,the light would shine through the windows and illuminate the interior,causing a colourful ambient that would leave the person feeling as though they had entered another world;the world of God. The principle in the Byzantine age was the same,except it was more so to signify the god like attributes of the rulers themselves.
Answer:
a. imagery from his nightmares
Explanation:
At the beginning of Surrealism, the paintings only had to do with the madness of the failed act. A common exercise among artists was to write a sentence on paper, the first one that comes to mind. He moved to another, with the paper folded so that he would not see what was written. And at the end of the page, crazy ideas came up and were soon painted on the pictures. Dali went further. With a little help from chemicals (opium and absinthe are said to be quite popular with the artists living in Paris at the time), he entered his deepest fears and traumas that were stored in his memories, as in a dream. And with the teachings of Sigmund Freud, he understood how his paintings should be painted.
