Iago wanted to seem like a good guy, so he wanted Othello to find out himself that Desdemona is cheating.
Answer: A) Individual performer
Explanation: Given that Shyloh prefers to do her job on her own without relying on others, it can be said that she is the type of person at work called an individual performer. This is not about the position she is working in, like the type of manager and the like, but the way she likes to get her job done. This is therefore the style of work that Shyloh prefers, although it can also be said that sometimes individual work without the help of others is not possible, because increasingly, business performance and work in general are based on teamwork and even performance assessments are made at the team level.
<span>the application of techniques like mass production
Let's look at the available options and see what makes sense.
the use of heat and open fires for cooking
- This sounds like the discovery of fire and as such it happened a long time before the nineteenth century. Wrong answer.
the application of techniques like mass production
- This one looks promising. We'll take if the other 3 options are just plain silly.
the introduction of earthenware such as clay vessels
- This is more recent than the discovery of fire. But it's still a long time ago. Literally thousands of years BC. So wrong answer.
the discovery of the technique of roasting raw foods
- Another discovery that happened thousands of years ago. So also the wrong answer.
So of the 4 choices, 3 of them happened literally thousands of years ago and so well before the nineteenth century. That leaves only 1 viable choices, so the answer is "the application of techniques like mass production"</span>
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
