Answer:
I don't see a picture anywhere
Explanation:
The answer is C.
The setting of Alfred, Lord Tennyson's sonnet "The Lady of Shalott" is the nonexistent kingdom of Camelot, of which King Arthur is the incredible ruler.
The woman's particular area, be that as it may, is the isle of Shallot, which is separate from the Kingdom of Camelot by a waterway. The woman lives in disengagement in a tall pinnacle situated in the island. Her area is sufficiently particular to keep her to take a gander at the kingdom of Camelot inspired by a paranoid fear of a revile.
I'm pretty sure it's D because it makes sense lol did that even make sense?
Answer:I think that most of the claims listed above could be argued well with specific evidence from Thoreau's essay, but I would be a little suspicious of one of the claims and downright skeptical about another one. To me, Thoreau seems disturbed by the emphasis on technological "improvements" in his day, such as the telegraph and railroad, but does he really believe that technology is the "primary cause of distress"? Right now, I really don't know, so I would wait to see how well the writer could support this interpretation before I would make up my mind
Explanation: cause i did it and I got 100% :D
Nteresting information about the Globe Theatre Tiring House during the life and times of William Shakespeare and the Globe Theatre of Elizabethan London, England
Globe Theatre Tiring HouseThe stage wall structure contained at least three doors which lead to a leading to small structure, back stage, called the ' Tiring House '. The stage wall was covered by curtains allowing entrances from left, right and center. The actors used this area to change their attire - hence the name 'Tiring House'. The tiring house contained the dressing rooms with access to the the prop room with connecting passage and stairways. The 'Tiring House' was a hive of activity with actors changing their attire and collecting their props. Although many of the plays were performed by actors wearing Elizabethan clothes the Globe Theatre Costumes belonged to the Theatre and were both costly and sumptuous.
Globe Theatre Tiring House Prop ManThe Globe Theatre company used a 'prop man' who would be stationed in the 'Tiring House'. The Prop man would have a list of all the Globe Theatre Props which to be used in a play, what scene they were required for and which actor/ character would need them. The list was glued to a board which hung on one of the Tiring House doors.
Globe Theatre - The Lord's Rooms and the Actor's BalconyImmediately above the curtained doors of the 'Tiring House' were a row of galleries which housed the Lord's Rooms. The centre gallery, or balcony, might also be used for plays requiring such a structure - the Balcony scene from Romeo and Juliet immediately springs to mind.
Globe Theatre - The Musicians GalleryDifferent effects were gradually added to the Globe Theatre including music to accompany the performances. One of the balconies above the stage therefore housed the musicians. Composers were specially commissioned to write music and songs to accompany the works of playwrights such as William Shakespeare. The most famous Globe Theatre composer was Robert Johnson ( 1582-1633 ). Robert Johnson composed 'Full fathom five' and 'Where the Bee Sucks' which were written for the first performance of The Tempest by William Shakespeare. The musicians playing in the Musician's Balcony were usually hidden from view behind closed curtains.
Globe Theatre - The HutAbove these galleries was a small house-like structure called the 'hut' complete with a roof. The 'hut' was used as a covered storage space for the Globe acting troupe. The 'Hut' could be accessed directly from the connecting passage and stairways from the 'Tiring House'.
