In this lesson i learned that

Can someone type all the lyrics for The song <br> - No excuses by NF<br> Please and thank you :)

Eduardwww [97]

Answer:

Yeah, I got no excuses

Ay, yeah, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Ay, I got no excuses, yeah, I got no excuses

Woo, I got no excuses, yeah, I got no

Yeah, yo, this industry is so confusin'

Hard to tell who's really with me or who's tryna use me

If I told you I respect you, I ain't say it loosely

I don't throw those words around, it's just not how I do this, ay

Yeah, I know I can be a nuisance

Ain't afraid to admit it if I think the shoe fits

People ask me where I been, I been writin' new hits

Had to make my own plans, I don't need your two-cents, ay

Yeah, I don't wanna hear excuses

I just like to make moves and make improvements

I just like to break rules, maybe start some new trends

Live the life that I choose, cuttin' off the loose ends, ah

Yeah, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Ay, I got no excuses, yeah, I got no excuses

Woo, I got no excuses, yeah, I got no

Yeah, here's a couple things that I'm confused with

I just did a interview, the guy was pretty clueless

You don't have to know the album names or all my music

But at least try to find out who you in the room with

Ay, I like facts, I don't like assumin'

Take a shot behind my back, I'ma catch the bullets

Why the game lookin' at me like I'm just a tourist?

They should know I'm here to stay, this verse is gettin' borin', twisted

Mind of a lyricist, listen while I experiment

Visualize it's imperative, big suprises and scary tricks

It is time, yes, we're here again, sit in silence, don't care for it

Criticizin' my character isn't wise, so beware of it

Forget what you're tellin' me, do what I gotta' man

I got the remedy, one of kind, man they never selected me

I don't fit in with the room of celebrities

I wanna know when they bring out my legacy

There was never nobody that ever could mention me

Sayin' that I wasn't makin' the rap

And doin' it cleverly, did what I had to

And gave them my everything

Yeah, yeah, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Yeah, yo, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Ay, I got no excuses, yeah, I got no excuses

Woo, yeah, I got no excuses, yeah, yo, I got no

Yeah, I got no

I got no excuses

Source: LyricFind

Songwriters: Cole Edward Walowac / Nate Feuerstein / Tommee Profitt

No Excuses lyrics © Warner Chappell Music, Inc

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3 years ago

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Which of the following was one of the first commercially used photographic processes? Pinhole Carbon print Kodachrome Daguerreot

djyliett [7]

The answer is daguerreotype

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3 years ago

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Can anyone guess what I was for Halloween

vesna_86 [32]

Answer:

Tanjiro, because of the scar on your head.

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2 years ago

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What song is this? It is only part of it to make a challenge First correct answer gets Brainliest. I just wanna, I just wanna kn

d1i1m1o1n [39]

Answer:

riptide, by Vance Joy.

Explanation:

know this son by heart,

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3 years ago

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When Stravinsky questioned all musical traditions, he was using a characteristic of which aesthetic movement?

Naya [18.7K]

Answer:

Aaron Copland (/ˈkoʊplənd/, KOHP-lənd;[1][2] November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style.[3] Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores.

After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste. Determined upon his return to the U.S. to make his way as a full-time composer, Copland gave lecture-recitals, wrote works on commission and did some teaching and writing. However, he found that composing orchestral music in the modernist style, which he had adopted while studying abroad, was a financially contradictory approach, particularly in light of the Great Depression. He shifted in the mid-1930s to a more accessible musical style which mirrored the German idea of Gebrauchsmusik ("music for use"), music that could serve utilitarian and artistic purposes. During the Depression years, he traveled extensively to Europe, Africa, and Mexico, formed an important friendship with Mexican composer Carlos Chávez and began composing his signature works.

During the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg's use of twelve-tone (serial) techniques. After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his Piano Quartet (1950), Piano Fantasy (1957), Connotations for orchestra (1961) and Inscape for orchestra (1967). Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view. From the 1960s onward, Copland's activities turned more from composing to conducting. He became a frequent guest conductor of orchestras in the U.S. and the UK and made a series of recordings of his music, primarily for Columbia Records.

Explanation:

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century.[1][2][3][4] He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.[5][6]

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3 years ago

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In this lesson i learned that​

In this lesson i learned that