Answer:
May pumukol sa pipit sa sanga ng isang kahoy
At nahagip ng bato ang pakpak ng munting ibon
Dahil sa sakit, di na nakaya pang lumipad
At ang nangyari ay nahulog, ngunit parang taong bumigkas,
“Mamang kay lupit, ang puso mo’y di na nahabag,
Pag pumanaw ang buhay ko, may isang pipit na iiyak.”
Considering how plaintively sad the theme and words are of this folk song, it’s slightly incongruous with contemporary sensibilities that most canonical interpretations of the melody, such as by Pilita Corrales and the Mabuhay Singers, are very upbeat. It’s almost like gleefully making fun of a helpless creature in deep throes of pain.
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
Shapes that suggest forms found in nature are called Organic Shapes.
Answer:
The piano was invented by Bartolomeo Cristofori (1655-1731) of Italy. Cristofori was unsatisfied by the lack of control that musicians had over the volume level of the harpsichord. He is credited for switching out the plucking mechanism with a hammer to create the modern piano in around the year 1700.