Answer:
D. The third person omniscient point of view means that the audience knows the characters are mostly likely about to have an awkward and disappointing interaction.
Explanation:
First, the passage doesn't use any first-person narration. That crosses out B and C. A is tricky, but no where in the text does it say that Ellie Fitz is the right girl for Edgar. This leaves D, and D makes sense because as you can imagine, Ellie won't be happy to be rejected by Edgar sense she "...had had a secret crush on him since 7th grade."
Answer:
ExplanaMientras que la novela sólo tiene lugar en el transcurso de unos días, es una historia de toda una vida para un joven privado llamado Henry Fleming. La historia ...tion:
ndedaa
Answer:
Reading between the lines is also known as inferring. It is when the information isn't explicit but you have to do some digging for it and it is not out of reach, therefore a reading between the lines question is a question where it doesn't give you all of the info, but you have to work out some of it for yourself.
Answer and Explanation:
Nat is a boy who was invited by a theater director to become a member of a theater group that presents Shakesperian plays. Nat accepts the invitation and ends up acting in "A Midsummer Night's Dream" and "Julio Cesar" where he proved to be a very talented and promising actor. However, one day, when he returned home, he felt extremely ill, feverish and sick. He ended up sleeping in his room and was transported through time, waking up in Elizabethan England. On this journey through time, he ends up meeting Shakespeare who is very surprised by his acting ability and invites him to be a member of his theater group. Nat lives very unique and fun moments in Elizabethan England, but in the blink of an eye he is transported back to the future, where he wakes up in a hospital bed, not sure if he really traveled in time, or just had a fever dream.
Nat is the main character of "King Of Shadows" that tells of his adventures as an actor of the Shakespeare Theater company, in the beginnings of the British theater.