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The djembe drum is said to have been invented in the 12th Century by the Mandinke tribe in what is now Mali, in West Africa. It has been played by West Africans for generations forming an integral part of ritualistic life in Mali, Guinea, Senegal and other neighbouring West African countries.
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In Zhou's <em>Autumn Colors</em>, atmospheric perspective is demonstrated by decreasingly dark strokes the further background elements are from the point of view. Zhou provides more line details and darkness in the foreground strokes, such as in the trees and vegetation, indicating closer proximity to the viewer. On the other hand, Kensett's work involves more realism and involves color. It has a more clearly defined vanishing point than Zhou, and atmospheric perspective is demonstrated by the decrease in saturation, detail, and contrast of the distant mountain range. Objects in the foreground are more saturated, have more detail (such as blades of grass), and are finely depicted as reflecting the light source. Zhou relies on stroke detail and intensity, while Kensett relies on color tones and a defined vanishing point to convey atmospheric perspective.
The Classical Period of music may have given its name as the popular descriptor for all of Western sophisticated instrumental composition, but its actual timeline is relatively short. All of the other delineated musical eras get at least a full century. However, the Classical Era is often cited as the latter half of the eighteenth century. At its longest, the Classical Era ran just seventy to eighty years, ending no later than 1820. Despite the Classical Era's short run, its impact on instrumental music has been enormous.
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The fundamental principles of Martha Graham's technique for choreography are based onthe contraction and liberation of the body, a technique that was developed as a stylized representation of the breath and, depending on the context, symbolized the dancer's surrender to the emotions.the displacement of the body, considering the fall and the recovery, manipulating the body's center of gravity to control the moment and direction of a fall. the spirals, which consist of rotating the spine about 45° around its vertical axis, so that a dancer facing the front of the stage aligns his shoulders with the "Via Triumphalis"
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