Though Donatello was a descendant of a branch of the important Bardi family, he was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti. Gifted with humanistic insight and a quality of will that were highly prized in the early Renaissance, Donatello revealed the inner life of his heroic subjects, memorable images which have conditioned our very conception of 15th-century Florence. Sharing neither Ghiberti's feeling for line nor Filippo Brunelleschi's interest in proportion, Donatello worked creatively with bronze, stone, and wood, impatient with surface refinements and anxious to explore the optical qualities he observed in the world about him. His later art, saturated with the spirit of Roman antiquity, is frequently disturbing in its immediacy as it attains a level of dramatic force hitherto unknown in Italian sculpture.
Answer:
it's the second string, open.
Explanation:
that note is B,
which is the second string open.
Answer:
According to the Jim Crow Museum of Racist Memorabilia at Michigan’s Ferris State University, a white minstrel show actor named Thomas Dartmouth “Daddy” Rice (1808-1860) performed solo skits based on a stereotypical black character named Jim Crow. Rice’s highly exaggerated performance manner was, mostly, based on showing blacks as lazy “darkies” and as natural-born musical talents whose behavior was nonetheless childlike and buffoonish. The name Jim Crow.
Explanation:
Hayloft, ocean eyes, Good kid in TLT
