Answer:
I can help you, just upload a picture or write the question.
Explanation:
She was standing in the hallway. From where I was standing I could only see her hair. She had hair as black as coal with a stroke of pink on some of the middle strands. And then she turned. Her face was fair and her cheeks a little fluffy. But she was slim.
When I saw her, my heart skipped a beat or two. I had never laid my eyes on someone so beautiful. It was like a dream. I couldn't move. I couldn't blink. I just started at her angelic face.
What was just a few seconds felt like an eternity. It felt as if there were only the two of us and no one else. The crowd of people standing there seemed to disappear.
Suddenly she went forward and went ahead. I snapped back to reality. I ran towards her but soon she disappeared into the crowd
Answer:
It suggests that Regina smells her grandmother's scent on the quilt.
Explanation:
It suggests that Regina smells her grandmother's scent on the quilt.
Emily Dickenson was certainly the queen of all observant poetry. She writes very much from what she sees around her. Much of it is unique to her own quite external life. The details about the Sabbath are engaging. She listens to God's sermons through the nature around her: Orchids and birds deliver what God has to say. She concludes that by observant of God's Creation she does need to yearn for heaven. She's already there. If she speaks in first person, we know what she sees and what it means to her, but most of all we knows how she thinks about herself and the life around her. What she lives vibrates with internal power.
In I could not stop for death, the same sort of thing is going on. Each detail shows a path that could be taken with death leading on. She sees death as a singular servant taking her in a carriage that is headed into eternity. These are not idle thoughts. There the internal things she feels from what she sees. We are drawn into the things that mean the very most to her.