Answer:
Options two,three and four
Explanation:
In every story, you need to compare the character's status and behavior at the beginning of the story. Check if Is it the same as when it ends. As the story progresses, the transformation of the character gradually increases in intensity and quality, until his change of mind is complete and irreversible because of the plot. That change is a crucial moment in history, it's identified as character development.
A. Dara sprinted for two full minutes
In the poem from Dylan Thomas, ''Do Not Go Gentle Into That Good Night,'' he is convincing and telling his father to fight away death. In the poem, Dylan wrote, ''dying of the light,'' quoting that he is referring to death. To accompany the situation and description of death he writes, ''Do not go gentle into that goof night.'' Throughout the poem Thomas is convincing the readers to deny death and fight it. The writer uses imagery to paint a vivid picture inside the readers head.
''The Charge Of The Light Brigade'' is a poem by Lord Tennyson, that tells a story to the readers. The story is abut how the Light brigade went to war. The writer uses terrifying description of the war and how the men died: <span> “Shattered and sundered. They rode back, but not, not the six hundred.” When reading the poem you receive a sense of anxiousness as the poem goes on to describe the war.
The Dylan Thomas poem says you should fight death, but Lord Tennyson's poem says you should somewhat accept it.
</span>Hope i helped!
Answer:
While separate from the body of work preceding it due to the nature of an epilogue, it is an integral part of the work. It provides resolution to an otherwise unresolved piece, and the piece actually prepares for the epilogue by mirroring it throughout the play.Throughout the play, themes of power and magic develop, complementing each other so that ultimately, the nature of Prospero’s power can be either revered, or reduced to smoke and mirrors. Prospero’s power to administer pain gives him control over Ariel and Caliban. However, with many of the other characters, control is gained by illusions – sometimes pleasant, and sometimes upsetting. Prospero makes Ferdinand follows Ariel’s music’s “sweet air,” but he confounds Caliban, Stephano, and Trinculo by adding a faceless voice, which disturbs them, and makes them quarrel. Prospero doesn’t actually make anyone do anything; he appeals to their senses in either a positive or negative way, and their response to these sensations brings about an action Prospero required. However, by the play’s end, it is never resolved whether Prospero had any real power, or was simply manipulative enough to get what he wanted. This will be resolved in the epilogue.The epilogue is a monologue delivered by Prospero.
Explanation:
