Escher used black and white. High contrast, which dramatized his art and also brought more attention to what he was drawing, not just the colours.
His “impossible constructions” were shocking. He played with perspective and juxtaposition in a way that couldn’t possibly be true in real life. The audience has to do a double take. Angles and shapes were twisted in impossible ways.
Answer:
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Explanation:
It seems that you have missed some relevant details that can help us complete the answer, but anyway, this is what I can help. The correct answer would be issues of critical social importance. In Jean-Honoré Fragonard's Happy Accidents of the Swing, all of the following are characteristics of the Rococo and depicted in the painting except issues of critical social importance. Hope this helps.
A and d this is the only answer I know
