The most obvious example of how religion and the Enlightenment changed America in the 1700s is that of the Revolutionary War. The American Revolutionary War was the war against Britain in which America obtained its independence.
This war was justified by the most significant and powerful religious group in the thirteen colonies: Puritans. Puritanism argues that society is bound together by a social covenant. Once the people have entered into such an agreement, voters were responsible for choosing qualified men to govern them. If the ruler was evil, they had the right and duty to oppose him. This way of thinking meant they had also supported some other revolutions in the past, such as the Glorious Revolution of 1688.
The Enlightenment also played a big role in the Revolutionary War and its aftermath, particularly with the Founding Fathers. Being all advocates of the Enlightenment's ideals, they built the new Constitution and the new government around these values. Therefore, things that are intrinsic now to the political process, such as freedom of speech, men as having inalienable rights and all citizens being equal under the law, are product of this movement.
C. A series of unexplained fires and earthquakes
Answer: D
Explanation: Habeas Corpus is the right for an accused to be brought to justice via a court of law
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Renaissance art was heavily influenced by classical art, wrote Virginia Cox in “A Short History of the Italian Renaissance.” Artists turned to Greek and Roman sculpture, painting and decorative arts for inspiration and also because their techniques meshed with Renaissance humanist philosophy.
The Renaissance could not have started in Greece. By the 15th century, Greece was a backwater in stagnation with no remarkable achievements in the spheres of art, literature, architecture, or politics. Its primary position as the centre of the civilised world was all but a distant memory following the Roman occupation and invasion of the era before the birth of Christ. Greece never recovered from that.
The conditions that were present in Italy at the time were impossible to recreate in Greece. Even if the dual threats of Papal armies and those of the Holy Roman Emperor were not enough, prosperity and trade with each other was certainly a reason for a temporary peace between warring city-states such as Florence and Venice. International trade, too, was lucrative, and the region of Lazio [where Rome is situated] specialised in the trade of religion.
It is not that what is now Italy had stagnated in the pre-Renaissance period. Dante wrote The Divine Comedy towards the dawn of the fourteenth century. The Italians were making magnificent Gothic churches — S. Maria del Fiore in Florence started off as one, with a Gothic campanile [bell tower/bellfry] by the Gothic master Giotto but finished as a Renaissance building.
The relative prosperity across the region that is now considered to be the hotbed of the Italian Renaissance also came with patronage. The Catholic Church under Julius II of the della Rovere family were major patrons of the arts and humanities, especially with artists, musicians, and writers who curried their favour. The patronage was significant in both monetary and reputational terms — a commission for St. Peter’s or St. Paul’s, the apostolic basilicas, was more valuable for the artist’s worth in the art market than any other. Christianity provided the only semblance of pan-European and pan-regional power and order; without the Catholic Church’s unstinting support of the arts and humanities none of those fields would exist as we know them today.
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