Rondo forms in the classical period are most often found in option (d) i.e, final movements.
A rondo is an instrumental form in music that consists of the initial articulation and subsequent restatement of a particular subject or piece, separated by opposing material.
A sonata, concerto, symphony, or another multi-movement piece typically ends with a rondo as the final movement. Although the structure of a rondo is quite simple, the variations that composers choose to employ that form in are frequently complex. A melody is repeated in each rondo, with contrasting musical passages in between.
The two most common forms of a rondo are the 5-part version and the 7-part form. The 5-part form generally uses the pattern ABACA, but the 7-part form typically uses the pattern ABACABA.
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Georges Seurat developed this technique in 1886
Answer:
b. Giotto's experience with living through the Black Death
Explanation:
Plague, also known as the Black Death, wasn't in full epidemic in Italy during Giotto's time, but it was certainly present in the areas around Florence and Sienna where he was living and working.
Giotto's work was influenced by Black Death, and his paintings became more dramatic and realistic as his surroundings and experiences were grimmer and filled with death than usual.
<u>That is how Lamentation, a fresco depicting the death of Jesus Christ looked over by the angels and followers, is influenced by the plague. He used the real-life imagery of death and suffering over the illness that was present during his time, and used it to wake the emotional feeling that was caused by the death of Jesus Christ. </u>
Answer: The vantage point, not to be confused with the vanishing point, is the place from which a scene is viewed.
Explanation:
Try to trace a round object
