Chicanx art has not abandoned its original ideals just because of the inclusion of mainstream art galleries and museums. The importance of Chicanx art prevails and stays close to the heart of the Chicanx community.
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Why Chicanx art is so important to the Chicanx community?</h3>
The Chicano artwork showcases mentioned the roots of the Chicano Art Movement and its competitive continuation to symbolize its network.
It transforms and takes the form of the community it revolves around and it keeps to conform and exhibits the lives, needs, and politics of the human beings it represents.
Thus, Chicanx art has not abandoned its original ideals just because of the inclusion of mainstream art galleries and museums. The importance of Chicanx art prevails and stays close to the heart of the Chicanx community.
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Answer:
Because more than just a building, an architectural structure is a human expression. So, it must reflect the conceptions, not only of the time but the author as well. When an architect is projecting a building, he must think about how the audience would look at it, and the feelings they will have. A good example is the Gothic cathedrals.
Explanation:
Well, now let's see.
The architects who project for example the Notre Dame Cathedral were influenced by the art of their time (the Gothic, in this case). So, the structure they were rising should contain elements of this style, such as complex decoration, stained glass, statues ornamenting the entrance, the idea of reach the skies represented by the building's height, the flying buttress on the structures, and several other elements. And when people look at the final building, they will feel fear, respect, moderation and many other feelings. But these feelings were possible, ONLY because the architect thought about what he would put on the structure.
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
A repetitive ordering of design elements is called a pattern
