The very cruel event named the lottery took place in a small American town. In this town there was a simple yet horrendous way to decide just exactly how to keep peace. Every year after a three step process someone was chosen to be brutally stoned to death by the people in the village. Tessie was the one who happened to be chosen and she did not want to die. Tessie is the character vs. society in this passage. Making the conflict the main part of the story her getting stoned against her will. The process was initially screwed up because Bill only had one household n the family, going straight towards the randomized draw in the black box. These changes point to the idea that the lottery is a long-standing tradition in the village, something they have been doing for years and years. Traditions that have been done for so long are unlikely to change.
idk disrespectful?
cuz yk dey da opposite so opposite opposite
Informal tonequestions<span>allegory</span>
The answer is A., it makes it feel as if you're shouting at the reading. Exclamation marks are used to show lots of emotion, as sometimes it is also used for shouting.
B., C., and D. all are completely not related.
Your opinion can be expressed with exclamation marks, it won't confuse anyone. Like I said, exclamation marks are used to show lots of fire and emotion. It wouldn't confuse anyone.
Exclamation marks do not confuse the main point. The reasoning for why it isn't C is similar to the reasoning for B. Exclamation marks do not change the main point.
C. is pretty much the opposite. Exclamation marks are used for emotions, not to show no emotion.
Answer: It's the 22nd Century. A tough, pioneering people mine the moon for Helium-3 to produce energy for a desperate, war-torn Earth. Sixteen-year old Crater Trueblood loves his job as a Helium-3 miner. But when he finds courage he didn’t know he had and saves a fellow miner, his life changes forever. Impressed by his heroism, the owner of the mine orders Crater to undertake a dangerous mission. Crater doubts himself, but he has no choice. He must go.
With the help of Maria, the mine owner’s frustrating but gorgeous granddaughter, and his gillie—a sentient and sometimes insubordinate clump of slime mold cells—Crater must fight both human and subhuman enemies. He’ll battle his way across a thousand miles of deadly but magnificent lunar terrain before vaulting into the far reaches of space, there to recover an astonishing object that could mean the difference between life and death for every inhabitant on the moon.
