A. D. I totally geek out about that stuff. XD
Answer:
18. The grid lines point to a Grid North, varying slightly from True North. This variation is smallest along the central meridian (vertical line) of the map, and greatest at the map edges. The difference between grid north and true north is very small and for most navigation purposes can almost always be ignored.
19. Most military maps will display the declination diagram in the lower margin. Some maps may not display the declination diagram and will only list the declination information as a note in the map margin. The G-M angle value is the size of the angle between grid north and magnetic north.
20. Must be oriented
Oh and "EVERYONE IT IS TIME TO RISE UP AND TAKE DOWN THE MODS. I had only had my account for six days and it got removed. If you are tired of your answers always getting taken down copy this question and post it as many times as you can. We will NOT stand for this. If you get banned make another account. If they take down your question post it again. Mods, listen to me and listen well WE HAVE HAD ENOUGH."
Whoop!Whoop! sir yes sir╰（‵□′）╯┗|｀O′|┛(ノ｀Д)ノ╰（‵□′）╯ (╯‵□′)╯︵┻━┻┻━┻ ︵ ヽ(`Д´)ﾉ︵ ┻━┻ (╯°□°）╯︵ ┻━┻ (ヘ･_･)ヘ┳━┳ ┌( ಠ_ಠ)┘ ಠ﹏ಠ ಠ╭╮ಠ
ok I'm done
Answer: "Bring Me To Life" By: Evanescence
Explanation: It is a song that my mom loves to sing.
Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
The Invention of the printing press in the 15'th century made it possible to mass- produce and circulate a growing volume of reading material. it chaned the way people read, communicated and stored knowledge
