The answer is False. Tokyo bombing didn't bring the war to an end. It was the bombings in Hiroshima and Nagasaki that caused the capitulation of the Japanese army which was signed by Emperor Hirohito.
<span> An assonance is the repetition of the sound of a vowel, or of a dipthong, so i believe the answer is the first one. Hope this helped! (:</span>
It should be Blending for PA instruction or verbalizing words
This exposition impractically catches the pith of New York City much superior to anything I will ever have the capacity to. As a Californian, I view New York as I envision a New Yorker in the Nineteenth Century would view California. The contemplation is practically outlandish. California is the boundlessness edged pool of a landmass. Its wide open meanders perpetually, forever of the open doors which it holds until the land drops into nothingness and the Pacific devours it.
New York then again, shouldn't exist. Many think of it as the zenith of human accomplishment, a mixture of humankind existing together with an enthusiastic feeling of a club, all living under the standard held high that drains, "New York." It is where ten million drums play to their own beat, yet all ring to a similar congruity.
Didion's involvement in the city echoes these tones. The city is undoubtedly a spot where a half year can transform into eight years, and a night out can transform into a marriage. Didion expressed, "It was an unendingly sentimental idea, the puzzling nexus of all affection and cash and power, the sparkling and short-lived dream itself."
This exposition goes about as Didion's adoration letter to the city, one that isn't composed starting with one captivated sweetheart then onto the next, yet rather as Socrates would keep in touch with Zeus in an incredible miracle of his god-like power. Didion sees New York as legendary Fate, culling and cutting the strings of life which would decide her way of presence. Didion drives home the thought that New York is a thought. It represents something. New York is synonymous with America.
Opportunity. Renewed opportunities. Acts of futility. It is the New Mesopotamia, the support of life held in its bin by the two streams which give it its separated liveliness. American contemporary articles endeavor to restore the sentimental nature which used to drive American writers like Whitman and Thoreau to compose, and she completes a magnificent activity of that. My inquiry is how does Didion's association with the city influence her life?
The dissenters in the flag-burning case and their supporters might at this juncture note an irony in my argument. My point is that freedom of conscience and expression is at the core of our self-conception and that commitment to it requires the rejection of official dogma. But how is that admittedly dogmatic belief different from any other dogma, such as the one inferring that freedom of expression stops at the border of the flag?
The crucial distinction is that the commitment to freedom of conscience and expression states the simplest and least self-contradictory principle that seems to capture our aspirations. Any other principle is hopelessly at odds with our commitment to freedom of conscience. The controversy surrounding the flag-burning case makes the case well.
The controversy will rage precisely because burning the flag is such a powerful form of communication. Were it not, who would care? Thus were we to embrace a prohibiton on such communication, we would be saying that the 1st Amendment protects expression only when no one is offended. That would mean that this aspect of the 1st Amendment would be of virtually no consequence. It would protect a person only when no protection was needed. Thus, we do have one official dogma-each American may think and express anything he wants. The exception is expression that involves the risk of injury to others and the destruction of someone else`s property. Neither was present in this case.
