The Scream is a work of remembered sensation rather than perceived reality. Munch’s approach to the experience of synesthesia, or the union of senses (for example the belief that one might taste a color or smell a musical note), results in the visual depiction of sound and emotion. As such, The Scream represents a key work for the Symbolist movement as well as an important inspiration for the Expressionist movement of the early twentieth century. Symbolist artists of diverse international backgrounds confronted questions regarding the nature of subjectivity and its visual depiction. As Munch himself put it succinctly in a notebook entry on subjective vision written in 1889, “It is not the chair which is to be painted but what the human being has felt in relation to it.” While such events and objects are visually plausible, the work’s effect on the viewer does not depend on one’s familiarity with a precise list of historical, naturalistic, or formal sources. Rather, Munch sought to express internal emotions through external forms and thereby provide a visual image for a universal human experience.
https://www.khanacademy.org/humanities/ap-art-history/later-europe-and-americas/modernity-ap/a/munch-the-scream
The right answer for the question that is being asked and shown above is that: "C. Antony knows that Brutus was the only conspirator who acted for the good of Rome." In the play's final act, Antony describe Brutus as the noblest Roman of them all because he<span> knows that Brutus was the only conspirator who acted for the good of Rome. </span>
Not sure per month, but in a year they make around $127,800. So you could divide that by 12. Which would be 10,650 per month.
Answer is c. Greek and Roman mythology or literature
Answer:
A...hope it helps lmk if not ;}
Explanation:
The School of Athens is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
