The movie had a few scenes that were just made for the 3-D effect. All that sliding around on the rooftops and gutters and sewer pipes on the ice... pure Hollywood time wasting stuff.
<span>I have read the book 15 times. I bought the CARREY film for my children. If you will give me a day or two, I will watch it again and make a long list. editing this maybe Monday (come now, Christmas is on Sunday..) </span>
<span>Oh yes, there were NO scenes with mice on the floor in the original story. </span>
1. Theatricality and drama. Monteverdi is the pioneer of opera as a dramatic fusion of music and text. Caravaggio's paintings are extremely dramatic and even theatrical. The faces are expressive, and never in a conventional way - they are angry, bored, sexually aroused, corrupt, decayed. It is never a passive representation of a scene. It is always brimming with drama.
2. The strange mixture of sacred and profane. Caravaggio used street hoodlums for models when he painted sacred scenes (e.g. The Calling of St. Matthew), and he painted courtesans in a dignified manner. Monteverdi's Poppea ("L'incoronazione di Poppea") is a courtesan lover of Nero, the Roman emperor. The two of them have extremely passionate and sensual duets together, including the tender "'Pur ti miro" at the end of the opera.
3. Music as inspiration. Caravaggio often painted musicians with lutes and other instruments. Monteverdi not only composed opera, but composed opera about music - his L'Orfeo is a piece about the sheer power of music and its impact on the world.
4. Fascination with dark corners of human psyche. Caravaggio obsessed over irrational, wicked, flawed personalities. Monteverdi also puts them in the center of all his major works. Even though he is a half-god, his Orfeo is very flawed and might even be considered weak, as he errs all the time. His Nero is extremely depraved. Even his madrigals couldn't just be simple love songs - they are called "Madrigali guerrieri et amorosi" - "Love and War Madrigals".
Yes that is a good vision board. i have discord sure we can work on that
Answer Cute a s f shawty lol!!!!!!!!!!
Explanation
Hello :)
African Americans influence on modern dance really was largely significant and is greatly broad-brushed by society. See, it first originated in the 20th century when a group of choreographers and dancers battled against two different styles of dance- ballet and vaudeville, (which was just a mixture of different forms of dance, like modern). African American artists wanted to be taken as more then just entertainment and started trail blazing the dance world, wanting to be taken more seriously. Some pioneers from this time-period would be people like Louise Fuller, or Isadora Duncan.
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