Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
The beam of wood looks like a club or a a staff. It looks like a large olive tree or like a mast of a ship with twenty oars (a very big mast).
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In Lone Stranger and Pronto, the climax occurs when the Lone Stranger and Pronto meet with another character called Felicity, the enter into a rancor with five desperadoes and end up in the hospital.
<h3>What is the falling action in Lone Stranger and Pronto?</h3>
During the falling action, they rescue a stagecoach, and Lone Stranger's acquaintance from the antagonist or villain.
- In the climax the protagonist is Brave; See page 266.
- In the falling action the protagonist is happy. See page 269.
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