Answer:
You could say it had an emotional tone, maybe...
Answer:
B
Explanation:
Humans’ love of nature will triumph over human’s love of other humans.
Answer:
Elie Wiesel, the older version of Eliezer, the death camp survivor, has dedicated his life to serving mankind and to prevent human rights atrocities, showing the world that humankind is capable of goodness, notwithstanding its inherent evil.
<span>Plot could be extremely affected by the setting of a story. It could even become a part of the story. The setting is for all that is to come and even if it's one set on a stage, it could convey a lot about who the people are and how they live.
</span><span>"Jaws" is a classic film that used setting almost as a character and that "character" totally influences the plot. A wide ocean, no one around to help and a very, very big and dangerous shark. In the opening scene when the girl is attacked, there is no better example of setting </span>
Answer:
Explanation:
One of the two protagonists of All the Light We Cannot See, Marie-Laure LeBlanc is an inquisitive, intellectually adventurous girl. She became blind at the age of six, but learns to adapt to this and continues to explore and discover. For most of the novel, Marie-Laure is a teenager, but by the end of the novel she’s an old woman. Marie-Laure is a warm, loving girl: at the beginning of the book, she loves her father, Daniel LeBlanc, before anyone else. After 1941, when Daniel leads her to the seaside town of Saint-Malo, she becomes close with her great-uncle, Etienne LeBlanc, and her cook, Madame Manec. Marie-Laure is capable of feats of great daring. With Daniel’s help, she trains herself to walk through large cities using only her cane, and when the conflict between France and Germany escalates, she volunteers to participate in the French resistance. In spite of the joy she gets from reading and exploring, Marie-Laure’s life is full of tragedy: the people she loves most disappear from her life, beginning with her father. As she grows older and becomes a scientist of mollusks, Marie-Laure comes to appreciate the paradox of her life: while she sometimes wants to be as stoic and “closed up” as the clams and whelks she studies, she secretly desires to reconnect with her loved ones.
