Fear at first than a shift because the boy died and it shifts to sorrow and honer. When it says in the last paragraph stuff about the mast and helm, its them splitting apart forever:(
Answer:
By now, they have all died.
C: died
Hope this helps you! (:
-Hamilton1757
Believe the best answer for this question would be D, "archetype." A femme fatale is a character who appears in many works of literature, although she takes on different forms. She possesses many of the same qualities and performs largely the same actions, making her an archetype. She may or may not be symbolic, solitary, or heroic, which means you can rule these options out as your answer because they are not definitive. Other examples of archetypes are the hero, the wicked witch, the wise old man, etc. Hope this helps.
Answer: Theses cognitive benefits of speaking multiple languages occurs as a result of LANGUAGE CO-ACTIVATION.
Explanation:
Language co-activation is the process whereby a bilingual or multilingual individual's brain even when using one language maintains the active parts of the brain associated with the other language/languages. For example, an English & French speaking lady even while speaking French, her brain would still maintain the active parts of her English language.
Language co-activation has the benefits of higher rate of sensory perception leading to improved brain structure. The process of language co-activation is automatic leading the brain being able to perform complex processes and reduce likelihood of experiencing dementia.
Such was the impact of poet Ingrid Jonker that decades after her death in 1965, the late Nelson Mandela read her poem, The Child who Was Shot Dead by Soldiers at Nyanga, at the opening of the first democratic Parliament on 24 May 1994.
“The time will come when our nation will honour the memory of all the sons, the daughters, the mothers, the fathers, the youth and the children who, by their thoughts and deeds, gave us the right to assert with pride that we are South Africans, that we are Africans and that we are citizens of the world,” he said 20 years ago.
“The certainties that come with age tell me that among these we shall find an Afrikaner woman who transcended a particular experience and became a South African, an African and a citizen of the world. Her name is Ingrid Jonker. She was both a poet and a South African. She was both an Afrikaner and an African. She was both an artist and a human being.”
She had written the poem following a visit to the Philippi police station to see the body of a child who had been shot dead in his mother’s arms by the police in the township of Nyanga in Cape Town. It happened in the aftermath of the massacre of 69 people in Sharpeville, south of Johannesburg, in March 1960. They were marching to the police station to protest against having to carry passbooks.
