put a paper bag on your head and walk in shame
The excerpt uses explicit details in the following way: it provides a <u>physical description</u> of Sarah Penn (small woman, short waist, gray hair, mild forehead, downward lines about her nose and mouth). All of it is explicit, since there is no room for interpretation, it is what it is. In other words, such details are concrete ones, since they are physical and nothing else.
As for implicit details, we can find them in a figure of speech (a <u>hypallage</u>, which uses an adjective or participle to describe a noun other than the person or thing it is in fact describing): we learn Sarah Penn's forehead was benevolent, that is, it showed her benevolence (an implicit detail, since it was Sarah, and not her forehead, that was benevolent). It is a trait which implicitly tells something about the character's personality. There is also the description of <u>meek downward lines</u> about her nose and mouth. Again, a hypallage which implicitly tells us something about the character: it is Sarah who is gentle and humble, and not the lines about her nose and mouth.
Answer: wind instruments, such as the flute.
Quite similarly, ever since I was a young kid I used to dream about going to London, it was my life goal you could say.
It seemed quite impossible as I come from a working class family however I decided to work during college in order to save every pennie and book a flight to the UK.
I was finally able to do it, I was one flight away from seeing London for the first time ever, I could not have been more excited.
Once I got there, for the first time in my life I knew how dissapointment felt like. It was nothing like I imagined, it was exactly how no one ever described it to me: crowded, dirty and ordinary.
I learned to love its streets and its people but frankly I'd only return if it was for free.
Hope this helps :)
Answer:
false
Written in free verse, this poem dramatizes the chance confrontation of a groundhog and terrier. As the speaker relates the setting, the poet uses the design of the groundhog den to provide an alternative, “option”, to the latent conflict.
