Answer:
Lesion Sterilization and Tissue Repair
Technology, IT etc (4) LSTR — Lesion Sterilization and Tissue Repair. LSTR — Listener Sidetone Rating. LSTR — Listener Side Tone Rating. LSTR — Lesion Sterilization and Tissue Regeneration.
Explanation:
How an audience reacts to a film or performance all depends on how well it was produced, and the quality of the actors involved. When it comes down to it, the overall quality of any performance is dependant on how well the performers act, how they set the tone, their use of emotions, their gestures, etc. Every single small detail help play a part in the making of any act. And if the actors fail to fulfil their duties as performers, then the whole show will be ruined, and the audience will either be un impressed, or non existent.
Answer: it have affect how people see art and extends the reach of art.
Explanation: The new media art influence the virtual communication art design profoundly. It also influence the extensive use of network technology and photographic technology and digital media technology in design and visual resources have been developed.
New media made it possible for art to have wider reach and also made it easier and fast for the artist and art lovers.
Instrumental music throughout the Renaissance was closely associated with vocal music. Only at the Sistine Chapel in Rome, and at a few other chapels with choirs of competent singers, was polyphonic church music consistently sung unaccompanied. Elsewhere the organ, lute, viols, or other instruments accompanied, doubled, or substituted for voices, and organists developed a huge repertory of music for use in church services, including preludes, interludes, and arrangements of liturgical melodies. In secular music, the lute remained popular both for solos and in ensembles; clavier instruments were coming into wider use, and hundreds of pieces were written for chamber music ensembles.
The study of the fundamental nature of knowledge, reality, and existence, especially when considered as an academic discipline.
