"Nighthawks," is one of the most appreciated paintings of American art, and certainly the best known of the American painter Edward Hopper (1882-1967).
The painting portrays the alienating presence of large modern cities: several individuals gathered in a luminous spot and surrounded by darkness. The strong coffee lights are barely able to keep the night outside, and there, anything can be happening.
Psychologically speaking, these people are isolated, thrown into a group, but locked within themselves. Hopper was able to capture the dark magic that happens in the cities at night, when everything is empty and the few people who happen to meet there seem infinitely more mysterious than in the light of day.
Hopper said he based the painting on an actual restaurant where he lived in Manhattan, "on Greenwich Avenue where two streets meet," though he admitted having taken certain creative freedoms in the transition from the real to the artistic. Many tried to find the place, but without success.
Middle C, though, does get its name from its position between the bass and treble clefs that make up the typical Grand Staff.
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Answer: Keith made works that can hang in museums alongside masterpieces by Jackson Pollock and Andy Warhol and hold their own as art-historically important pieces. But there’s also the art world you see on the streets, and Keith helped make that happen. He took what he learned from Warhol and connected it to street culture-punk-rock posters, graphics on sports equipment, kids’ clothing, the music scene, and the club scene-and created a counter art world. Today we’re seeing a revival of that world-artists like Barry McGee are coming back into the gallery after having begun on the streets.
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