Good camera work and direction can do wonders for a film. It brings the script to life and makes it look real. The main aim of camerawork is to tell a visual story to the audience. Through the scenes and the motion, the audiences must be able to comprehend the director’s vision. The selection of the camera lenses plays an important in achieving the desired output. The right kind of lenses can make the movie look real. A movie can have a great storyline and background score but if it is not visually appealing, it can fall flat and fail to impress the audience.
Good cinematography can take a script to another level. Creative and smart camerawork has the potential to convert a mediocre script to a beautiful visual treat and audiences may end up liking what they see on-screen. Cinematography has the power to take the audiences to a fantasy world.
The most unique feature of “The Ninth” was that Beethoven included chorus and vocal soloists in the final movement. He was the first major composer to do this in a symphony.
Poussin was fascinated by ancient Rome and Italian Renaissance cultures. In his Et in Arcadia Ego that fascination has been translated into a visual text illustrating rational order and classicism. It is reminiscent of which of Raphael.
