Not true.
i'm an artist, you can trust my input.
working with photography, you can take a picture of anything. right? my point comes to this, subject doesn't matter. for example, lets say i go out and take a picture of a trash can. trash cans are not that pleasing to the eye. you can take some ordinary photo of that single trash can. what matters is the angles. don't overthink it. you have to let creativity flow in order to get an interesting result. get low to the ground and get close. maybe get some details in there. then to take it even a step further, that goes into your editing. that can also add to the photo. but the raw photo itself, you need to get creative.
hope that helped?
Answer:
hi
Explanation:
hi hope you have a good day
Andy Yoder, sculptor: “Many people take great comfort in the bathroom towels being the same color as the soap, toilet paper, and tiles. It means there is a connection between them, and an environment of order. Home is a place not only of comfort, but of control. This sense of order, in whatever form it takes, acts as a shield against the unpredictability and lurking chaos of the outside world.
My work is an examination of the different forms this shield takes, and the thinking that lies behind it. I use domestic objects as the common denominators of our personal environment. Altering them is a way of questioning the attitudes, fears and unwritten rules which have formed that environment and our behavior within it.”
Nancy McIntyre, silk screen artist: “I like it when a place has been around long enough that there is a kind of tension between the way it was originally designed to look and the way it looks now, as well as a tension between the way it looks to whoever is caring for it and the way it looks to me. Trouble is, the kinds of places I find most appealing keep getting closed or torn down.
What do I want to say with my art?
Celebrate the human, the marks people make on the world. Treasure the local, the small-scale, the eccentric, the ordinary: whatever is made out of caring. Respect what people have built for themselves. Find the beauty in some battered old porch or cluttered, human-scale storefront, while it still stands.”
It all started with a preacher named Archie Fair, a distant relative, make known to him to the guitar and gave him an important role in the dramatic services of the local Sanctified Church. At first he was inclined by the music of his cousin Bukka White, as well as Leadbelly, Blind Lemon Jefferson and Sonny Boy Williamson. But he was also an admirer of jazz players like Charlie Christian, particularly when he was playing with the Benny Goodman Orchestra, and Django Reinhardt. He said that a little bit of all of those people I liked, with my own ideas, shaped the BB King twinging guitar sound.
