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zimovet [89]
3 years ago
14

Shoopie doopie doo. Your points, ma chérie.

Arts
1 answer:
borishaifa [10]3 years ago
8 0

Answer:

Explanation:

ROSE MARIE(MON CHERIE)

***Marlene Shaw***

Mon Cherie,

Take my hand and walk with me

We’ll walk beside the rollin’ sea

Just you and me

Not a cloud in the sky

Just a seagull flyin’ by

Ooh mon Cherie

Say how nice it feels to be

Out strollin’ with the one you love

It’s plain to see

I’m for you , you’re for me

God intended this to be

From a lonely room

To a seventh heaven lovin’ bloom

We could paint our names across the sky

Oh you and I loving life

Watch the world go by with you

Oh Rosie

Now ain’t it rosy

Rosie, bless your heart and soul

Come live with me

Oh mm mon Cherie

***INSTRUMENTAL ***

From a lonely room

To a seventh heaven lovin’ bloom

We could paint our names up in the sky

Oh you and I loving life

Watch the world go by with you

Oh Rosie

Now ain’t it rosy

Rosie,Rosie,bless your heart and soul

Why don’t you live with me

Oh mm mon Cherie

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Answer:
Sheet of drawing paper.
Lead pencil.
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Curved burnisher or bone fold.
Set of wood carving gouges.
Rubber or non-slip mat (optional). I cut mine from an old place mat.
Glass surface (like the glass from a frame).
Water-based block printing ink.
Putty knife.
Rubber brayer.
Block printing paper like Kozo or mulberry.
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Good night!! Go get some rest :D
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Vedmedyk [2.9K]

Answer:

d. all of the above.

Explanation:

The Grand Mosque, the world's largest clay construction in Djenne, is the inexhaustible source of inspiration for the genre. The city is considered a world heritage site by UNESCO, for the monumental value of its civil constructions with the characteristic style of clay architecture and for being considered an exceptional witness to the pre-Islamic civilizations of the Niger delta interior. Excavations nearby revealed an important page of human history dating back to the 3rd century BC. They brought to light an archaeological ensemble that bears witness to a pre-Islamic urban structure with a wealth of circular or rectangular buildings, as well as a wide variety of terracotta artifacts. and metal that prove the evolution of industrial and craft techniques.

The region where the archaeological sites are located is known as Djenné - Djeno, which was abandoned in the 14th century in favor of Djenné, which had been inhabited since the 11th century. In Djenne, Sultan Koumboro converted to Islam, abandoning his palace and making it the first mosque in the city, which was destroyed in 1830 and then replaced in 1906 by the current one, which gives charm to the "new" city. The Great Mosque has raised in its towers large wooden trunks called turrets, which protrude from the interior of the structure, forming the highlight of the building. In addition to fulfilling the supporting role, the logs serve as a stairway for the plastering of the monument, which takes place once a year, before the rainy season (usually in April), with the participation of all the city's residents, who celebrate a big party for the event.

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Marked by the use of clay as a base and finishing material, the buildings blend with the dry landscape. Land, the most abundant and accessible material in nature, has been used since early times for house building, but it was the techniques developed in Mali, added to the aesthetic fluidity, that marked the story, using adobe brick, made of stone. from stepped mud, supplemented with natural components like dung or chopped grass. Sun-dried bricks for two weeks are the basis of the construction, which uses the same material as mortar. Above all functional, Malian architecture is born to perfect man's interaction with the dry, high-wind environment prevalent in the region. Thus, the constructions, besides the creative and authentic expression force, bring complex techniques to adapt to the atmosphere in which it is inserted.

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