Answer:
On the Great Plains, environmental catastrophe deepened America’s longstanding agricultural crisis and magnified the tragedy of the Depression. Beginning in 1932, severe droughts hit from Texas to the Dakotas and lasted until at least 1936. The droughts compounded years of agricultural mismanagement. To grow their crops, Plains farmers had plowed up natural ground cover that had taken ages to form over the surface of the dry Plains states. Relatively wet decades had protected them, but, during the early 1930s, without rain, the exposed fertile topsoil turned to dust, and without sod or windbreaks such as trees, rolling winds churned the dust into massive storms that blotted out the sky, choked settlers and livestock, and rained dirt not only across the region but as far east as Washington, D.C., New England, and ships on the Atlantic Ocean. The “Dust Bowl,” as the region became known, exposed all-too-late the need for conservation. The region’s farmers, already hit by years of foreclosures and declining commodity prices, were decimated. For many in Texas, Oklahoma, Kansas, and Arkansas who were “baked out, blown out, and broke,” their only hope was to travel west to California, whose rains still brought bountiful harvests and–potentially–jobs for farmworkers. It was an exodus. Oklahoma lost 440,000 people, or a full 18.4 percent of its 1930 population, to out-migration.
Explanation:
Dorothea Lange’s Migrant Mother became one of the most enduring images of the “Dust Bowl” and the ensuing westward exodus. Lange, a photographer for the Farm Security Administration, captured the image at migrant farmworker camp in Nipomo, California, in 1936. In the photograph a young mother stares out with a worried, weary expression. She a migrant, having left her home in Oklahoma to follow the crops in the Golden State. She took part in what many in the mid-1930s were beginning to recognize as a vast migration of families out of the southwestern plains states. In the image she cradles an infant and supports two older children, who cling to her. Lange’s photo encapsulated the nation’s struggle. The subject of the photograph seemed used to hard work but down on her luck, and uncertain about what the future might hold.
The “Okies,” as such westward migrants were disparagingly called by their new neighbors, were the most visible group many who were on the move during the Depression, lured by news and rumors of jobs in far flung regions of the country. By 1932 sociologists were estimating that millions of men were on the roads and rails travelling the country. Economists sought to quantify the movement of families from the Plains. Popular magazines and newspapers were filled with stories of homeless boys and the veterans-turned-migrants of the Bonus Army commandeering boxcars. Popular culture, such as William Wellman’s 1933 film, Wild Boys of the Road, and, most famously, John Steinbeck’s Grapes of Wrath, published in 1939 and turned into a hit movie a year later, captured the Depression’s dislocated populations.
These years witnessed the first significant reversal in the flow of people between rural and urban areas. Thousands of city-dwellers fled the jobless cities and moved to the country looking for work. As relief efforts floundered, many state and local officials threw up barriers to migration, making it difficult for newcomers to receive relief or find work. Some state legislatures made it a crime to bring poor migrants into the state and allowed local officials to deport migrants to neighboring states. In the winter of 1935-1936, California, Florida, and Colorado established “border blockades” to block poor migrants from their states and reduce competition with local residents for jobs. A billboard outside Tulsa, Oklahoma, informed potential migrants that there were “NO JOBS in California” and warned them to “KEEP Out.”
