Yes, we agree with Morrie about our society’s emphasis on youth.
In the second installment of The Professor, Morrie is portrayed as having been exceptionally liberal for his time and for his age. The first indication that Morrie is ahead of the popular culture is his acceptance of the research position at the mental institution, where, as a further showing of his liberal qualities, breaks the rules and befriends the most difficult patients, each of whom responds to Morrie more than they do their doctors and psychiatrists.
Morrie's so-called radical values are also exemplified by his unusually intimate relationship with his students, Mitch included. Like the students who protest in Washington D.C., and those who took over Ford Hall to fight racism at the university, Morrie believes in the progression of culture.
The culture he has created for himself does not adhere to the popular rules he protests against, and he fights to change popular social values when they do not agree with his own. Morrie continues to be very progressively minded even in his old age, and often reminds Mitch that he and everyone else is constantly changing form; his self is in continuous transition, despite his age. It is never too late, he says, to change. Morrie applies this belief to the culture that surrounds him and fights to alter it if the cause is one worth his dedication.
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Justice Wargrave masterminded the murders because all of those people were guilty of a crime but were not punished. He took his own life because he himself was guilty of a crime. He swayed the jurors in order to get a conviction and a death sentence for Edward Seton.