Answer:
The answer is D: the blending of pagan and Christian traditions.
Explanation:
I took the class myself.
Answer:
She used a joyful tone. She's happy that she has grown up there.
Explanation:
Eloise expresses her gratitude for the housing project in many ways. She's not only grateful for the opportunity to have a house for her family but also she communicates how she fell in love with the commodities that came along with the project.
"We had a whole house all to ourselves. Upstairs and downstairs. Two bedrooms and the living room would be my bedroom at night."
"They started a choral group and presented music and poetry programs on Sunday evenings in the social room or on the playground. On weekends, they played horseshoes and softball and other games. They had a reading club that met once a week at the Langston branch of the public library after it opened in the basement of one of the apartment buildings"
Having enjoyed various activities in the playground and being able to just walk to a library nearby, Eloise conveys the idea of how the Langston Terrace had become more than just an in-between place until they acquired their own house. The site had become a place she's fond of, a place she feels glad to have grown up in.
"For us, Langston Terrace wasn’t an in-between place. It was a growing-up place, a good growing-up place with neighbors who cared, family, friends, and a lot of fun. Life was good. Not perfect, but good."
Yes the answer is regular
Answer:
Black musicians had to face racial segregation, racism and the artistic devaluation of their work.
Explanation:
During the Harlem Renaissance, jazz became a very popular song in the black community. The black musicians were brilliant and extremely talented and were able to compose exciting and completely admirable music. Over time, this song started to please the white US elect who started to hire black musicians to play in bars and restaurants. However, blacks were not allowed in these places because of the great racism and social segregation that were established in America. The white elite, however, allowed black musicians to enter these places so that they could entertain white guests with music, which was not artistically valued, but seen as mere entertainment and a way to keep blacks working for whites.
