Answer: 1) the government owns and controls the street and other public places
2)liscenced individuals and companies who have met the necessary requirement and have the financial capabilities to shoulder the levies and taxes and can also shoulder maintainace and safety bills.
3)money as a determinant of gets advertised in public places puts a control on the use of public places for advertisement. It also ensures that only those financially capable can advertise ensuring proper maintainace and safety checks.
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Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.[1] As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. Bebop groups used rhythm sections in a way that expanded their role. Whereas the key ensemble of the swing music era was the big band of up to fourteen pieces playing in an ensemble-based style, the classic bebop group was a small combo that consisted of saxophone (alto or tenor), trumpet, piano, guitar, double bass, and drums playing music in which the ensemble played a supportive role for soloists. Rather than play heavily arranged music, bebop musicians typically played the melody of a composition (called the "head") with the accompaniment of the rhythm section, followed by a section in which each of the performers improvised a solo, then returned to the melody at the end of the composition.
Some of the most influential bebop artists, who were typically composer-performers, are: alto sax player Charlie Parker; tenor sax players Dexter Gordon, Sonny Rollins, and James Moody; clarinet player Buddy DeFranco; trumpeters Fats Navarro, Clifford Brown, Miles Davis, and Dizzy Gillespie; pianists Bud Powell and Thelonious Monk; electric guitarist Charlie Christian; and drummers Kenny Clarke, Max Roach, and Art Blakey.
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I am thankful for having a family
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I would say to mostly look at the pitch of audio clip, depending on your intentions, along with considering the context of the environment when this noise will occur.
For instance, perhaps you want the door to open "normal sounding", then you would seek to pick a lower pitched noise that doesn't grab the audience's attention as much. By doing this, it would sound more seamless with the rest of the video, play, presentation, or whatever you're doing.
However, if you want a loud screechy door, look for one with a high pitched noise and one that's attention seeking. Therefore, it graphs the audience's attention by making them pay attention to what is going on. However, use this to highlight that an important action is about to occur, rather than just a random part of the production, as you probably don't want to annoy your audience.
Hope that helps.
