Answer:
Strong characterization, vivid use of detail, and the creation of an emotional, conflict-driven plot can all ensure the success of a narrative with readers. Conflict: The Fire of Fiction A good narrative is about people dealing with problems.
Explanation:
PA BRAINLIEST
Explanation:
the setting influences the flat which included the story events action are more likely to take place in specific environment also the story stone in them really on accepting collectors background influence how to call doctor is really too and behave in the setting
Answer: Brutus has to decide between loyalty to Caesar and his own honor.
Explanation:
This excerpt expresses the main dilemma of the whole play - that is, the conflict between being a loyal friend and one's own honor.
In Shakespeare's <em>Julius Caesar</em>, a group of conspirators decides to murder the roman general, Caesar, because he has assumed too much power. They do not want him to become a king. In <em>Act I, Scene II</em>, Brutus, a friend of Caesar's, confesses his true feelings. As he hears that people want Caesar to assume this position, he makes a confession to Cassius, one of the conspirators, that he would not like this to happen. As he puts it, he does love Caesar, but loves his honor more. He is not even afraid of death, if that is the price he has to pay.
Answer:
It can be important to suceed as both an individual and as a part of a team.
As an individual, you can learn how to do things yourself, like research or running the whole race. You learn how to do new things and test your abilites when you work as an inidivdual.
As a part of a team you can learn skills like leadership, participation, and making friends. When you accomplish something with other people, it brings you together and you learn new skills.
I think that they are both equally important to growth and suceededing.
Explanation:
This is just my opinion, but everything I've said is true. I hope this helps :)
Dramatic Irony is irony that is inherent in speeches or in a situation of drama and is understood by the audience but not grasped by the characters in the play.