The composers and the most significant genre that they wrote are:
- Richard Wagner - Opera
- Frederic Chopin - Concerto
- Gustav Mahler - Symphony
- Gioachino Rossini - Opera Buffa that is comic opera
- Franz Liszt - Piano Music
- Giuseppe Verdi - Operas
- Anton Bruckner - Symphonies
- Giacomo Puccini - Opera.
<h3>Who is a composer of music?</h3>
A composer is someone who creates music.
The phrase is most commonly used to refer to composers of Western classical music or composers by profession.
Many composers are or were accomplished musicians.
Learn more about composers at:
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Answer:
D
Explanation:
The Korean Maebyeong bottles are small vessels with a short neck, broad convex shoulder and slightly curved mouth rim. They were originally used to hold high quality wines such as the ginseng wine. It imitates the Chinese meiping- one of the best Chinese court ceramics.
The correct answer for the question is that many examples were not found in an artificial cave temple because they very popular and still available to everyone
A Burial at Ornans
<em>Gustave Courbet</em>
This painting depicts the burial of Courbet’s great uncle in the small French town of Ornans, and it is considered to be one of the turning points in French art. The painting depicted the scene with an unflattering air, and it did not romanticize the depictions of grief and mourning, as in traditional Romantic paintings. Critics of the piece decried both the style of the painting as well as the size. At 10 feet tall by 22 feet wide, the size of the canvas was typically reserved for religious or heroic scenes, and the painting critics said was intentionally ugly and harsh. For the subjects in the painting, Courbet also used the real people who had actually been at the burial, rather than actors used as models for the art. As it had such a deleterious effect on the Romantic style of painting, it could also be easily called “The Burial of Romanticism,” as Courbet himself said: “The Burial at Ornans was in reality the burial of Romanticism.”
This 22 foot long canvas situated in a main room at the Musee d'Orsay buries the viewer as if he or she were in a cave. In a decidedly non-classical composition, figures mill about in the darkness, unfocused on ceremony. As a prime example of Realism, the painting sticks to the facts of a real burial and avoids amplified spiritual connotations. Emphasizing the temporal nature of life, Courbet intentionally did not let the light in the painting express the eternal. While sunset could have expressed the great transition of the soul from the temporal to the eternal, Courbet covered the evening sky with clouds so the passage of day into night is just a simple echo of the coffin passing from light into the dark of the ground. Some critics saw the adherence to the strict facts of death as slighting religion and criticized it as a shabbily composed structure with worn-faced working folk raised up to life-size in a gigantic work as if they had some kind of noble importance. Other critics such as Proudhon loved the inference of equality and virtue of all people and recognized how such a painting could help turn the course of Western art and politics.
<span>The city of Pompeii is important because of the way
Vesuvius both destroyed and preserved it, but in the 1st Century AD it
had little special significance.</span>
