Answer:
Auxiliary.
Explanation:
The fashion industry is an industry that is typically devoted to the designing, production and sales of fabrics (clothes). It is considered to be a multi-billion dollar global industry.
Basically, the fashion industry comprises of four (4) main levels;
1. Primary level: it is the stage where fibers such as wool, cotton, silk, flax for making textile fabrics are processed. Also it involves other processes such as yarn and fabric production such as spinning, throwing, knitting, felting, weaving, printing, dyeing etc.
2. Secondary level: it is the stage that deals with the firms involved in the manufacturing of apparels and clothing lines.
3. Retail level: it is the stage that deals with the process of distributing the manufactured apparels through departmental stores, boutiques, etc.
4. Auxiliary level: this deals primarily with the process of writing and promoting the overall fashion industry levels. It comprises of fashion media, promotion agency, trade organization etc that works for the dissemination of information across the fashion industry and its customers.
<em>Hence, a magazine editor is on the auxiliary level of the fashion industry.</em>
Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
Answer: What Is a Venture Capitalist? A Venture Capitalist purchases a stake in an entrepreneur's startup and helps fund and cultivate the company into a successful corporation. An entrepreneur with a growing, robust company is most likely to attract a solid Venture Capitalist
Explanation:
Paintings are located in rock shelters and beneath cliffs
