Answer:
Fear in Literature Introduction
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Introduction
(TWENTIETH-CENTURY LITERARY CRITICISM)
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Fear in Literature
The subject of fear, whether in the form of neurotic anxiety or supernatural terror, is among the most prevalent in literature. A common element in the motivation of character and a dominant motif in contemporary fiction, the psychological and aesthetic qualities of fear have demanded the attention of literary critics since classical antiquity. Generally, critics see the specifics of literary fear both as a function of historical time and as a constant feature aroused by the human dread of the unknown or unknowable. The latter sort of fear has since been largely identified with the term Gothic, which was culled from the eighteenth-century vogue of the romantic novel of terror in a medieval setting. Popularized by such writers as Ann Radcliffe and Matthew "Monk" Lewis, the Gothic novel gave way to the modern genre of horror fiction with its ubiquitous treatment of supernatural forces that conspire to victimize and destroy human beings. Writers in this vein exploit what have become stock effects—the physical isolation of the protagonist, suspense and misdirection, and the introduction of a shadowy "other" or mysterious evil—to excite readers. A parallel line of development in the literature of fear is illustrated by the work of Edgar Allan Poe, in which psychological aberration coupled with an evocation of the uncanny and the macabre play the primary roles in creating an atmosphere of terror.
It is a prayer that offers adoration for God's role in a persons life. Also known as Thanksgiving
Answer:
what are the answer choices???
Explanation:
<span>The answer would be Letter C - I don't think so.
It is not grammitcally correct to place 'it' at the end of the sentence, and adding no word at the end makes the sentence complete. The best choice would be letter C.
Hope that helps. -UF aka Nadia</span>
Annie Dillard's interaction with her readers about an experience of hers when she came across Weasels and was a part of them once, is 'Living like Weasels'.
Explanation:
Dillard talks about how humans have forgotten little things that give them happiness and start exploring unnecessary attributes that can cause destruction later in life.
Dillard explains about how Weasels have the capacity to act when necessary alone and refrain from what is not required at all, as they cannot think in several ways like humans do.
Humans must try to seek what is necessary like weasels. Humans must stop creating their own problems by thinking about aspects that do not really need to be thought about for that specific circumstance. Humans must understand the notion of Weasel's way of life and attitude towards living.
