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Tresset [83]
3 years ago
7

Why is sin considered a rejection of God's love?​

English
2 answers:
Helga [31]3 years ago
7 0

Answer:

By rejecting God's love, we reject God's benefits. God's forgiveness is rejected, as is a personal relationship with God, and ultimately, eternal life and heaven an eternal, intimate relationship with God are forfeited.

Explanation:

Marta_Voda [28]3 years ago
6 0
Sin is wrong thinking, thinking that causes you to act in ways that harm yourself or others. God's love for us is him trying to get us to change our thinking and motivations so we are led not only to care for others but also we know how and why. So when we sin, when we follow our thinking we are actually getting in the way of God's work in us and through us.
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Analyze the elements of modernist poetry in Elizabeth Bishop’s poem "The Fish."
iVinArrow [24]

In her poem “The Fish,” Bishop describes her emotions when she catches a big fish and observes it carefully. The poet’s imagist style is found in her detailed description of the fish that she caught:

its pattern of darker brown

was like wallpaper:

shapes like full-blown roses

stained and lost through age.

Instead of using a specific rhyme scheme to give the poem a musical quality, Bishop uses literary devices, such as alliteration, to create rhythm in her poem:

still crimped from the strain and snap

She also creates a musical rhythm within the lines by using assonance:

frayed and wavering,

a five-haired beard of wisdom

trailing from his aching jaw.

I stared and stared

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3 years ago
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To form the plural of many nouns ending in f or fe, _____.
kompoz [17]
Like wolf and knife, you take out the f or the fe and put in ves. So the plural would be wolves and knives. Hope this helps! ;)
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3 years ago
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Hhhhheeeeeelllpppppppp
Tpy6a [65]

Answer:

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Explanation:

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3 years ago
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"Folk song and folk dance are interrelated with each other" explain it.​
matrenka [14]

Answer:

Explanation:

<u>Dance is performed to the music, and therefore has to be contemporary with it;  for example, happy, energetic songs follow the bouncy dance.</u> The same goes for folk music and dance.

<u>However, folk songs and dances originate from the same people and the same occurrences and intervene with each other</u>. Folks who are generally more upbeat, usually have more energetic dance and music (Spanish or Irish). At the same time, those who are considered to be more "laid back" more likely perform easy-going dance and music (for example northern greek and Montenegrin dances). <u>Folk dances reflect the history and the story of these people, as well as the music and lyrics of the song. They are all interrelated with each other. In the same manner, the musical instruments which are used to perform the songs are those most common for those particular people. Dance techniques are adapted to those exact tempos and sounds which musical instruments can make.</u>

Therefore, <u>if you want to know the folk dance fully, you have to understand the music and culture as well. This is why it is also vital to know the full history of music, dance, and culture when getting into the folk dance.</u> For example, when Irish dance instructors are doing exams to become professional trainers, they have to also show that they know Lilting, traditional singing, common in Gaelic parts of Ireland.

3 0
3 years ago
PLS HELP! HIGH POINTS AND ILL GIVE BRANLIEST
Sphinxa [80]

Answer:

The Rosetta Stone, a 1700-pound piece of rock (called a stele) discovered in the sands of Egypt, was the key to modern understanding of ancient Egyptian hieroglyphs.

The Stone, discovered in 1799 by a soldier in the French army headed by Napoleon Bonaparte, contains essentially the same text in three different languages: Ancient Greek, Demotic, and hieroglyphs. A full translation of the Greek versions was completed in 1803, but it was 20 years before linguists worked out the details of the hieroglyphs.

Bonaparte became leader of the French army and people in the late 18th Century. Because of the French Revolution and other European governments' opposition to it, France was at war with most of the other European powers for two decades. Because Bonaparte was the central figure in this series of conflicts, they are often called the Napoleonic Wars.

The French presence in Egypt intensified as the 18th Century was ending. French troops claimed ownership of large parts of Egypt. While building forts in the area, French troops found the Stone, near the Nile-delta town of Rashid, also called Rosetta. The Stone, 45 inches high, 28.5 inches wide, and 11 inches thick, was one of many artifacts unearthed by French forces.

In 1801, British troops defeated the French forces in Egypt. Part of the settlement after this battle was that Britain gained control of the Stone and of other artifacts. Beginning the following year, the British Museum had the Rosetta Stone on display. But at that time, neither the British nor the French really knew what they had found.

The use and understanding of hieroglyphs had gone out of fashion in the early centuries A.D. A few Arab historians made an attempt in the 9th and 10th Centuries but without success. A few more European historians tried again in the 16th, 17th, and 18th Centuries, still without success. The discovery of the Rosetta Stone renewed an interest in understanding hieroglyphs, and historians and linguists tried again.

Scholars still understood Ancient Greek but struggled initially with the administrative technicalities of the language on the Stone. A British translation of the Ancient Greek text was available in early 1802. The following year, French linguists, working on a copy of the text made after the initial discovery, produced a copy in both French and Latin.

Meanwhile, a French linguist had recognized some of the letters on the other non-hieroglyph set of writing as belonging to what came to be called Demotic script. Characters written in this script had been found in Egypt and were similar to the Coptic language, which had begun in the area in more recent times. A French scholar, Antoine-Isaac Silvestre de Sacy, reported identifying in the Demotic script the names of five people, including Alexander the Great and Ptolemy I.

Silvestre de Sacy did not work on the translation further except to remark to one of his colleagues that names in hieroglyphs might be written phonetically. This supposition was based on work done by previous French scholars. A British researcher took the French suggestion to heart and succeeded in identifying several similarities between the Ancient Greek text and the Demotic script. Until that time, researchers in all countries had believed that the texts were independent of one another.

Another French scholar was the one who ultimately cracked the code. Jean-Francois Champollion had, in 1814, identified the phonetic characters spelling the name of Cleopatra in two inscriptions on a famous obelisk. One inscription was Greek, and the other was in hieroglyphs. Champollion turned his attention to the Rosetta Stone and eventually found similarities for the pharaonic names Ramses and Thutmose. In 1822, he announced a full translation of the hieroglyphs. The Frenchman eventually constructed a hieroglyphic dictionary and a grammar of Ancient Egyptian writings.

Many historians now think that the Rosetta Stone text was written in three languages so that most Egyptians could understand it. Ancient Greek was the language of the pharaohs at the time the Stone was carved, 196 B.C. Demotic was the common script of Egypt at the time. And, of course, hieroglyphs were the language of the priests.

The text itself is a list of all the things the current pharaoh, Ptolemy V, had done so far in his reign. The Rosetta Stone is part of a larger stele that fragmented in the centuries it was buried.  

Thanks to the efforts of Champollion and other scholars, everyone can now understand ancient Egyptian hieroglyphs.

Explanation:

just pick things out of it u want to use

7 0
3 years ago
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